Designer Wallpaper

Designer Wallpaper Biography
For most of its history wallpaper has been the poor relation of the decorative arts: because it is fragile, ephemeral, and easy to replace it has often disappeared from the historical record. The history of wallpaper has been based largely on those pieces which have passed into archives and museum collections, supplemented by those papers that survive in historic buildings, and those represented in pictorial records of interiors.
Wallpaper has generally been thought of as background rather than foreground (with some notable exceptions such as Chinese papers and the early 19th-century French scenic decorations). Nevertheless, its role in the overall decorative scheme is a vital one, and the choice of wallpaper affects the mood and style of a room, and may influence the choice of other furnishings. The wallpaper itself may be indicative of the function of a room, and will often reflect the age, status or gender of its inhabitants or habitual occupants. William Morris recognised the importance of wallpaper when he advised in one of his lectures;
    'Whatever you have in your rooms think first of the walls for they are that which makes your house and home, and if you do not make some sacrifices in their favour you will find your chambers have a kind of makeshift, lodging-house look about them…'
Yet divergent opinions about wallpaper were apparent from the beginning. Some considered it to be attractive, clean and durable, whereas others regretted that the fashion for wallpaper had supplanted other methods of wall-decoration. This widespread and continuing ambivalence towards wallpaper can, to a large extent, be attributed to wallpaper’s essentially imitative character. It is almost always designed to look like something else – tapestry, velvet, chintz, silk drapery, linen, wood, masonry, a mural. For much of its history wallpaper has appeared (at least at first sight) to be something other than merely printed paper, and as an affordable substitute for more costly materials it has never quite thrown off the taint that comes from being a cheap imitation.

Designer Wallpaper

Designer Wallpaper

Designer Wallpaper

Designer Wallpaper

Designer Wallpaper

Designer Wallpaper

Designer Wallpaper

Designer Wallpaper

Designer Wallpapers        

Designer Wallpaper By Graham & Brown

Designer Wallpaper

En Norsk Designer - Wallpaper Tutorial

Tree Wallpaper Designs

Tree Wallpaper Designs Biography
Forest, woodland and tree room murals can transform a wall into a wonderful natural scene. What could be more relaxing than coming home to a room with a forest mural -- it's like having your own private woodland or even a jungle right there in your room! Or perhaps you would prefer a tree mural that shows the beauty of two or three trees, so detailed you feel you could touch their bark. With these stunning photo wall murals, anything is possible!
Many hotels are using landscape murals to transport you to another place with their calm, peaceful scenery. Now, at last, you can do the same with these affordable forest and tree room murals. So throw off your cares and come walk in the woods...

Tree Wallpaper Designs

Tree Wallpaper Designs

Tree Wallpaper Designs

Tree Wallpaper Designs

Tree Wallpaper Designs

Tree Wallpaper Designs

Tree Wallpaper Designs

Tree Wallpaper Designs

Tree Wallpaper Designs

Bodhi Tree Wallpaper #1 @ Art & Design Program

Tree Wallpaper Designs
Maldives Palm Tree Photo Wallpaper Mural.wmv

Antique Wallpaper Designs

Antique Wallpaper Designs Biography
Artist Statement Lately I aspire to make golden paintings along the path to paradise. To imagine invisible views of the primeval and infinite light, timeless ferns sparkling with morning dew along paths of mica before golden light fades. Each collage of ferns, mica, photos is a postcard from my idea of paradise. I'm inspired by the book, The Path to Paradise by Eliot McLellan.
Biography Holly Alderman is a painter and producer of digital innovations for interior design including wall murals, antique wallpaper scenes and indoor-outdoor photo-mural-curtains. She teaches decorative floor cloth painting at Sharon Arts Center and Cambridge Center for Adult Education. Her original art-decor appeared at the White House, Chelsea Flower Show and Architectural Digest Home Show, on TOH and Dream House, plus installations from La Jolla to London. Alderman is represented exclusively by Charles Spada, Antiques on 5 at the Boston Design Center in cooperation with Irish Limestone-US. She produced a national symposium on Design Science at Harvard. Links and more at HollyAlderman.com.

Antique Wallpaper Designs

Antique Wallpaper Designs

Antique Wallpaper Designs

Antique Wallpaper Designs

Antique Wallpaper Designs

Antique Wallpaper Designs

Antique Wallpaper Designs

Antique Wallpaper Designs

Antique Wallpaper Designs        

Antique Wallpaper Restoration

Antique Wallpaper Designs

Hanging A Piece Of Antique Wallpaper Pt. 1

Teal Wallpaper Designs

Teal Wallpaper Designs Biography
True to its name, the blue-winged teal can be identified by the large gray-blue patch seen on the upper wing while it is in flight. Both the cinnamon teal and northern shoveler also show a blue wing. It can be difficult to distinguish between a cinnamon and blue-winged teal in flight, but shovelers are easy to identify with their larger size and spoon-shaped bill.
In full nuptial plumage, drake blue-winged teal are easy to identify with their white facial crescent bordering their bill and steel-blue head. Their under parts are cinnamon-colored and heavily speckled with black. The blue-wing patch has a white border on the rear separating it from a metallic green speculum. When not in mating plumage, the male closely resembles the female except for a darker bill, darker head and a white crescent in front of the bill.
Female blue-winged teal are colored in mottled brown. They have an indistinct whitish patch at the base of the bill, a dark line through the eye and white patches above and below the eye. Their wings are a duller blue then the males, with a less distinct white border and the green speculum is darker and duller. It can be difficult to distinguish female blue-wings from cinnamon teal. However, cinnamon teal hens are a warmer brown, with a plainer face with indistinct or no dark eye line and a longer, more “spoon” shaped bill.

Teal Wallpaper Designs

Teal Wallpaper Designs

Teal Wallpaper Designs

Teal Wallpaper Designs

Teal Wallpaper Designs

Teal Wallpaper Designs

Teal Wallpaper Designs

Teal Wallpaper Designs

Teal Wallpaper Designs       

Teal And Grey Wall Treatment

Teal Wallpaper Designs
Teal Sea - Video Designed By Dreamscene.Org

Graham And Brown

Graham And Brown Biography
T. Graham Brown rose to country stardom through the uniquely Southern phenomenon of beach music, a party-ready mix of old-time rock & roll, R&B, country, and blues. Born in Arabi, GA (his real first name is Anthony), he got his start performing while attending the University of Georgia, as part of the beach-music duo Dirk & Tony. He then joined the outlaw country band Reo Diamond, and retooled his image as a hairy, tattooed wildman in a ten-gallon hat. Moving on in 1979, Brown formed his own R&B band, Rack of Spam, and officially settled on T. Graham Brown as his stage name. He moved to Nashville three years later, where with the help of Harlan Howard he found work singing demos and commercial jingles. In 1983, he signed with CBS as a staff songwriter, and went on to join the Tree International publishing firm in the same capacity. Meanwhile, he also landed a deal as a recording artist with Capitol, and released his debut album, I Tell It Like It Used to Be, in 1986. Partly recorded at Alabama's legendary Muscle Shoals studios, the record spawned a number one country single in "Hell or High Water," and both the title track and "I Wish That I Could Hurt That Way Again" went Top Ten. 1987's Brilliant Conversationalist gave Brown a second number one in "Don't Go to Strangers," and two more Top Tens with "She Couldn't Love Me Anymore" and the title cut. Meanwhile, he made appearances in the 1987 films Greased Lightning and Cursed, and the following year he and his backing group, the Hardtops, played Elvis' band in Heartbreak Hotel. 1988's Come as You Were continued Brown's success with the chart-topping "Darlene" and two further Top Tens in the title track and "The Last Resort." Unfortunately, Brown was also battling alcoholism, and his problems began to take their toll on his career. He managed one further Top Ten country hit in 1990's "If You Could Only See Me Now," and also dueted with Tanya Tucker on the hit "Don't Go Out" that year. But after his 1991 album, You Can't Take It With You, missed the charts, he found himself dropped by Capitol, and spent most of the '90s sorting himself out. He finally returned in 1998 with the acclaimed comeback effort Wine into Water, which reaffirmed his roots rock leanings and marked his most personal effort to date. The concert album T. Graham Brown Lives! appeared in 2001.

Graham And Brown

Graham And Brown

Graham And Brown

Graham And Brown

 Graham And Brown

Graham And Brown

Graham And Brown

 

 Graham And Brown     

Graham And Brown  

Graham And Brown - Wallpaper EASY Tips

Graham And Brown
Graham And Brown Live Wallpaper For Android

Wallpaper Art Design

Wallpaper Art Design Biography
When you write your bio, you are NOT writing your autobiography. You are writing a music business document. Your bio then is written FOR the music business contacts you want to impress, deal with, and create lasting relationships with. (because you are into this for the long haul, aren't you?)
Before you begin to write your bio, be sure you have taken an inventory of your background, accomplishments, goals, and objectives as a musician, and, once again, remember who you are writing the Bio for: A&R Reps at Record Labels, Media Contacts, Booking Agents, and Management Contacts, Booking Agents, Promoters, etc.
These professionals in the music business are busy individuals, who may deal with dozens of "wanna-be's" every week, so make your bio informative, upbeat, and filled with useful comments, descriptions, quotes, and motivational language that can make them want to listen to your music, and help you on your musical way.
When you are ready to write your Bio using this outline can keep you focused and organized.

Wallpaper Art Design

Wallpaper Art Design

Wallpaper Art Design

Wallpaper Art Design

Wallpaper Art Design

Wallpaper Art Design

Wallpaper Art Design

Wallpaper Art Design

Wallpaper Art Design      

ิBodhi Tree Wallpaper #3 @ Art & Design Program

Wallpaper Art Design
Speed Art - Wallpaper Design

Wall Borders

Wall Borders Biography
Aside from the refugee problem, there were political troubles that threatened not only the peace and stability of Berlin and Germany, but also the world. In 1958, the Soviet Leader, Nikita Khruschev (1894–1971) demanded that several thorny post-war issues be resolved within a six-month period. The Soviets wanted negotiations on European security, an end to the four-power occupation of Germany, a final peace treaty signed with a reconstituted Germany, and the creation of a nuclear-free Germany to act as a buffer zone between the two superpowers.
The Soviets threatened that if their demands were not met then they would sign a separate peace treaty with East Germany, officially splitting Germany in two (even if in practice it already was so.) Summit talks were held in Geneva (May-August 1959), Paris (May 1960), and with the newly elected President John F. Kennedy (1917–1963) in Vienna (June 1961), but no agreements were forthcoming.
On the night of August 12, 1961, on the Eastern side of Berlin, large numbers of army units, militiamen, and People's Police (Vopos) began to assemble near the border. Beginning shortly after one in the morning the troops were posted along the border, and the wire and posts were deployed to seal East from West Berlin. Traffic was prevented from crossing, including the underground railway trains. When Berliners awoke on the morning of August 13 their city had been split in two.
The closure of the border between the two halves of Berlin came as a surprise to Western intelligence agencies. After the fact, a number of reports and individuals surfaced claiming to have foreseen the events of August 13, but at the time there was no credible source that was believed by the West. Some historians have suggested there was an overload of information at the time, with too many spies and informers supplying information. Sorting through the sheer volume of reports was one problem, as well as sorting the useful signals from the noise of half-rumor and disinformation. Reports from civilians who noticed that something "big" was occurring before the border was sealed were dismissed, as they were considered less reliable than the professional spies and informers. Credit must also be given to the secret planning and execution of Ulbricht, Erich Honecker (1912–1994), and their forces, who managed to stockpile 40 kilometres of barbed wire and thousands of posts without arousing suspicion. Even as the border was being sealed, many people on both sides had no idea what the ultimate purpose was, including those laying out the barbed wire.
The initial Western lack of response was baffling to many, who expected a more aggressive approach from the Western military in Berlin. The Kennedy administration appeared to accept that the Soviets had a natural right to protect their borders, and the other Western leaders followed his lead. Despite the fact that the East German actions violated the agreements the Four Powers had made after the Second World War, the United States only protested in a feeble manner. While Kennedy has been criticized heavily by biographers and historians for doing nothing, in effect, the lack of an active Western response stabilized the situation. While tension remained high for the next two years, the walling of the Berlin border did not threaten to boil over into armed conflict in the same manner as the Berlin Blockade had done.
If there had been too much intelligence information before the Wall, after the border was sealed there was the opposite problem. Before the Wall, spies crossed as easily as anyone else did. The massive tide of refugees that moved to the West Berlin before the sealing of Berlin caused many intelligence problems, as it was simply not possible to effectively screen all potential communist agents when the numbers crossing were high. After the wall, it became much harder to send spies across the border, simply because there was no longer any civilian traffic. Potential spies were now much easier to spot, and security forces on both sides could now shadow all suspected persons in official parties who crossed the divide.
Over the years, the East Germans modified and added to the initial barbed wire fence between the two Berlins. As soon as it became obvious that the West was not challenging the erection of the barricades, the first concrete sections were moved into place. Within the first few months, the Wall began to take on a more permanent shape, consisting of concrete sections and square blocks. Weak points were quickly identified and sealed. In mid-1962, modifications were made to strengthen the Wall, and in 1965, a third generation of Wall building began, using concrete slabs between steel girders and concrete posts. The last major reconstruction of the Wall began in 1975, when interlocking concrete segments were used.
The border fencing off West Berlin from East Germany was 155 km. (96 mi.) in length. The actual concrete structure that became infamous was only 107 km. (66.5mi.) in length, the remainder of the border was sealed off by wire and fences. More than 300 watch towers were built along the border, as well as 105 km. (65 mi.) of anti-vehicle ditches, more than 20 concrete bunkers, and all patrolled by several hundred dogs and more than ten thousand guards.
While the Wall was a formidable barrier that did not stop many East Germans from trying to cross it. In the first few days and weeks of its construction there were many gaps in the border. Escapees jumped, burrowed, climbed, and swam their way through weak points in the fence. Some East German residents lived in apartments that had windows and doors that opened into the West. Some fled to West Berlin simply by walking through their front doors, and when they were sealed, by climbing out the windows. Over time the holes and weak points in the Wall were found and blocked. Those attempting to escape in later years faced many more hazards, and while some were successful, many were wounded or killed in the attempt.

Wall Borders 

Wall Borders 

Wall Borders 

Wall Borders 

Wall Borders 

Wall Borders 

Wall Borders 

Wall Borders 

Wall Borders 

Tiling A Wall - Borders And Edges

Wall Borders

All About Walls : How To Remove Wall Borders